Carcanet New Poetries VIII online launches

Sarah-Clare Conlon, Literature Editor
Poet Holly Hopkins. Photo by Alex Lichtenfels

18 February — 18 March 2021 Tickets from £2 — Book now

Carcanet’s New Poetries VIII anthology showcases the work of some of the most exciting new poets writing in English. Five launch events, with readings and discussion, will run each Thursday evening between 18 February and 18 March.

From the first New Poetries anthology through to this eighth volume, the series has offered a go-to resource to read some of the most engaging and inventive voices from around the world.

This latest tome in the series, which has been running since 1994, is edited by Manchester-based Carcanet Press director Michael Schmidt and associate publisher John McAuliffe, also Professor of Poetry at the University of Manchester. From the first New Poetries anthology through to this eighth volume, the series has offered a go-to resource to read some of the most engaging and inventive voices from around the world. Many past contributors have gone on to achieve notable success, including Tara Bergin, Caroline Bird, Vahni Capildeo, Sophie Hannah, Kei Miller and Sinéad Morrissey.

With contributions from the UK, Ireland, Scandinavia, Afghanistan, the States and more, and ranging in age from 20 to 80 years old, New Poetries VIII also introduces some important new work from BAME and LGBTQ communities, and this series of five launch events gives you the chance to hear from 22 of the 24 poets. A fair heft of a book, nosing towards 400 pages in total, each of the 24 is allocated a tidy amount of paper on which to show their wares. Wedged between an introduction from each, outlining the work presented, and a bio showing their career progression, there is an almost pamphlet-sized selection of their recent pieces, from which we will experience an essence at these launch events.

During the readings, the text will be shown on screen so that you can read along, and after the readings there will be discussion of the poetry and the opportunity for audience members to ask their own questions. Registration for each of the online events is £2, later redeemable against the cost of the book (all attendees will receive the discount code and how to purchase the book during and after event), and each event is bookable individually. Please note that there are limited places for the readings, so do book early to avoid disappointment.

The first launch event, on Thursday 18 February, featured readings by Chad Campbell, Parwana Fayyaz, Jenny King, Joseph Minden and Jennifer Edgecombe, who we saw perform at the PN Review Summer Launch at Castlefield Gallery in 2019 and whose debut poetry pamphlet The Grief of the Sea came out with Broken Sleep Books last June.

On that same Castlefield bill was Joe Carrick-Varty, reading on 25 February in a kind of Irish evening, with Ireland born or based poets all featured, including Conor Cleary, Victoria Kennefick, Padraig Reagan and Colm Tóibín, three times shortlisted for the Man Booker Prize, and a former Professor of Creative Writing at the University of Manchester’s Centre for New Writing, a title also held by Martin Amis and, currently, Jeanette Winterson.

For the 4 March event, Jason Allen-Paisant, Charlotte Eichler and Suzannah V Evans (whose boatyard poems are a must-read and are published in her second pamphlet, Brightwork, coming out with Guillemot Press later this year) join Rebecca Hurst, who recently gained a PhD in Creative Writing from the University of Manchester and was artist-in-residence at the glorious John Rylands Library on Deansgate from autumn 2019 to spring 2020.

On 11 March, it’s the turn of Manchester-based Holly Hopkins, who is manager of the Forward Prizes, Tristram Fane Saunders, Isobel Williams and another Centre for New Writing graduate, Christine Roseeta Walker, who has an MA in Creative Writing and has recently completed her debut novel, The Grass Is Weeping.

The final of the five launches takes place on Thursday 18 March and includes readings from Benjamin Nehammer, Stav Poleg, who we also saw at that PN Review launch in summer 2019, Nell Prince and Maryam Hessavi, another alumna of the University of Manchester, with an MA in English Literature & Creative Writing with specialisms in Modernism and Linguistics. Maryam is Reviews Editor for The Poetry School, Contributing Editor of Ambit and a committee member for the Manchester-based poetry reading series Poets & Players, which we’re looking forward to having back on our calendars soon.

18 February — 18 March 2021 Tickets from £2 Book now

Where to go near Carcanet New Poetries VIII online launches

Ripley's Believe It Or Not
Blackpool
Museum
Ripley’s Believe It Or Not

Located at Blackpool Pleasure Beach resort, this museum of oddities is the perfect place for families to discover the strange, the unusual and the extraordinary.

Image courtesy of Saoko Cocktail Bar.
Blackpool
Restaurant
Saoko Cocktail Club

This cocktail bar may be the new kid on the Blackpool block, but it’s already renowned for its excellent service and imaginative drinks that offer an ‘experience and a story’.

Little Black Pug by Ian Jones.
Blackpool
Restaurant
Little Black Pug

Head to Balckpool’s Little Black Pug for an historic, laid-back, family-friendly pub with a huge malt whiskey collection.

Ian Jones.
Blackpool
Shop
Aunty Social

Both a lifestyle store and a community arts hub, Aunty Social showcases the very best of Blackpool’s creative community. A great spot to pick up lovingly-made gifts.

Exterior of fish and chip shop
Blackpool
Restaurant
Harrowside Fish & Chips

Winner of the Good Food Award’s coveted Chippy of the Year award on multiple occasions, Harrowside is a great choice for fish and chips in Blackpool.

Ladies eating Fish and Chips
Blackpool
Restaurant
C Fresh

C Fresh is an old school, decidedly affordable chippy near Blackpool prom, consistently busy with locals – a sure-fire sign it’s doing something right.

Twisted
Blackpool
Restaurant
Twisted Indian Street Food

Blackpool’s number one Indian restaurant, Twisted Indian packs a flavour punch and isn’t afraid to mix the traditional with the modern. Their motto? ‘Being normal is boring.’

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